Sound Design for Movies
write an article on sound design for movies Paper must be at least 2500 words. Please, no plagiarized work! In order to come out with something that, for the film, for instance, is something of an integrative element to the whole experience of watching a movie. Sound design has to do with pulling together the different elements of a movie, for instance, and the term itself is an offshoot of work that was done by Walter Murch, who revolutionized the field starting from his work with Francis Ford Coppola in the 1970s, and in particular the work Apocalypse Now. The movies are said to be the wellspring of the discipline, and as Copolla and Murch actually made use of sound, sound design was about undertaking total responsibility for the entire track of audio for a film- dialogue, the sound effects employed, and the recording and repeat recording of the movies ultimate track. Fast forward to the present, and creative sound design has come to be differentiated from a host of associated film sound disciplines, including sound editing, which is differentiated from sound design precisely by the element of creativity that has come to be associated with those who primarily create and adapt the sound to movies. That creativity and the history of creative sound design itself suggests that the development of technology related to sound design are often intertwined, with the creative sound designer expected to be steeped in knowledge of current and emerging technologies on sound (Dakic n.d., pp. 1-5). Elsewhere we find in the literature that sound design is also much more than the adaptation of sound to existing movies and films that have already been done and finished, as sound design, when done in such classics as the film above and in Star Wars, is also about how sound can fundamentally alter and impact on the making of the movies themselves, in the way the movies are actually filmed and conceptualized. .